Books By UNO Faculty

Upcoming Reading Events with Margaret Lukas

Margaret Lukas, author of Farthest House

Margaret Lukas, author of Farthest House

This coming weekend, Margaret Lukas, author of recently published novel, Farthest House, has two reading events right here in Omaha.  Along with being an author, Margaret is a creative writing instructor at the University of Nebraska at Omaha and is a sponsor of 13th Floor Magazine.  We are very excited for her and would love to have as much support for her events as possible. On Saturday, February 22nd, from 1:00 pm-4:00 pm, the W. Dale Clark Library downtown will be hosting the Author Fair.  Over 75 local authors and publishers will be attending this event, so you don’t want to miss it!  In addition to Margaret, this is an awesome opportunity for all you writers to meet and mingle with other local talent.  To learn more about this event, click here.

The following Sunday, February 23rd, beginning at 1:00 pm, Margaret will be doing a book signing for Farthest House at The Bookworm, a local bookstore in Countryside Village.  There will be wine and cheese available as well, so grab your friends and spend an afternoon showing your support for Margaret during this exciting time!  To see more about this event, click here.

The W. Dale Clark Library is located at 215 S. 15th St., just off 15th and Farnam St.  The Bookworm is located at 8702 Pacific St. across the street from Westside High School.  We look forward to see you this weekend!

Although it might seem like the March 31st deadline is far into the future, it will sneak up on you sooner than you think.  If you haven’t done so, get your submissions for upcoming Issue 3 in today!

On Campus: Exclusive Interview with Margaret Lukas on Farthest House

Author Margaret Lukas sits for an interview about the release of her very first novel, Farthest House, available on January 14, 2014.  As a valuable member of the University of Nebraska at Omaha community, she is an instructor of creative writing in the Writer’s Workshop program.  She received her BFA from UNO’s Writer’s Workshop in 2004, and obtained her MFA from Rainier Writing Workshop in Tacoma, Washington, in 2007.

Margaret is a recipient of a 2009 Nebraska Art Council Individual Artist Fellowship.  She is a contributor to NEBRASKAland magazine  as well as an editor for the quarterly literary journal, Fine Lines. Her writing also appears online and in the 2012 anthology, On Becoming, published by the University of Nebraska Press.  Her award-winning short story, “The Yellow Bird,” was made into The Yellow Bird, a short film and premiered at the Cannes Film Festival.

For this exclusive interview, we wanted to get better acquainted with Margaret, and wanted her perspective on Farthest House as the author, an educator, and a woman of exciting literary achievements.

Q. Although there is a short summary available, what would you, the author, say Farthest House is about?

A. The book is about my passions: passionate people, whether it’s painting or writing, or criminal investigation. And it’s about bad people who need smacked upside the head for hiding their evil deeds behind the cloaks, or vestments, of organized religion. It’s also about love and self-acceptance. As Clay in Farthest House says, “Everyone has something.” I really believe that. If you’re here, in human form, then just like Willow, you inherited a bum shoulder—whatever shape your particular defect takes. I hope through Willow’s struggle to reach self-acceptance, people are helped to reach their own.  I also wanted to write about family. There are so many lonely people in the world who feel that without blood relatives in their lives they have to live alone. I think we can find families and gather families.

Q. Do you prefer character driven or plot driven novels?

A. For me, characters are much more interesting than plot. I find people endlessly fascinating, and I can put aside a character-driven novel and reread it a year later and be fascinated all over again.  A plot-driven novel, again, this is just me, doesn’t hold that magic. Once the punch line has been revealed, and if that was the driving force, I’m done.  Characters stay with me.  My motto is “Fiction is Folks.”

Q. How long have you had the idea for the novel? How long did it take to write?

A. I spent about five years working on the novel before it was accepted for publication. But that’s not day-in-day-out time on just this piece. I was also working on a couple of other novels, and life happens as well. Weeks on end, no writing was done.  On a good day, I try to write two hours. If I get in fourteen hours a week, that might be the number of hours a Stephen King is able to put in a day.  So, to measure all writers by the same measure—say years—is really deceiving.

I hope that’s encouraging to people who aren’t finding much time to write. Keep at it. You’re still a writer, even if you’re only putting in one hour a day or week.  Keep plugging.  Those odd hours add up; the pages begin to form a neat little stack. Stay with it. There’s a saying, though I doubt I’ve got the wording exact, “Come as far as you can, and the Universe will meet you there.” I think that’s a great philosophy. Do your best, write when you can, and don’t compare yourself to the guy who’s knocking out a book a year.

Q. How long did it take Farthest House to be published? What was your most valuable lesson from that process?

A. The process (from acceptance to publication) took about two and a half years.  Which is pretty standard for publishing houses.  During that time, the novel was read by four different editors and I did four or five edits. It’s a long process, but necessary.  The one thing I learned was pay attention to punctuation.  When the comma guru went through it a final time, I was embarrassed to see my errors.  I teach this stuff, and I’d never let my students get away with so many errors.  But I was so absorbed in setting and characters, or so sure I couldn’t error, I just wasn’t paying close enough attention.

Q. At what point in your life did you realize you wanted to become an author?

A. I’ve wanted to be a writer since about the age of 12. I read Great Expectations at that age and was blown away.  That was the book that did it for me and probably countless others.  I tried to rewrite it.  After I married and the babies started coming, I quit writing fiction and took up journaling. I could pick up my journal even if I only had ten minutes and write without having to get into a fictional zone.  I was also an avid reader during those years and absorbing craft without realizing it.

Q. Do you have any specific exercises to help you during your writing process?

A. What works for me is early in the morning. I pour that cup of coffee and turn on the computer. The longer I wait in the day, the more likely it is that something else will rear its head and interfere.  If I’m writing, but feel nothing important is happening on the page and I want to quit, I’ll first set a timer. Just an old wind-up egg timer for an hour. Something about that thing ticking, and knowing this hour is it for the day, spurs me on and almost without fail the writing improves.  Silly, likely self-hypnosis, but it works. I also like music, instrumentals, the tempo. If I’m stuck, I’ll often pick up a pen and my novel journal and write in long hand for a bit. I’ll ask the characters what they think, and I’ll get pages of just what it is they do think.   That practice deepens the work.

Q. What inspired your novel?

A. The inspiration was not as clear cut as you might imagine. I had an image of an old woman who wrote mysteries and was neo-pagan. By that, I mean spiritual but not religious. When I first conceived of Mémé, that woman, I had her Native American.  Then I started reading about the campaign Native American’s have to stop the misappropriation of their religions.  I dropped that aspect of her character.  The rest of the novel has evolved in the writing. Draft after draft.

Q. Did you do a lot of research for Farthest House?

A. Not much. I did some research into the area in France where the narrator was born, and I studied Google maps of the region. Most of the novel though, is set in a fictional small town in Nebraska and in Omaha. I was raised in a small town, and for the last forty years have lived in Omaha, so no research was necessary on those two locations. I did have to look into the Willie Brown lynching for Jonah’s character. There’s so much written about that horrible day in Omaha history. It was easy to find far more material than I could use.

I love research, and it’s always a temptation to stop right in the middle of a paragraph and go off on some hunt that will consume the rest of my writing time.  I have to rein myself in. One thing that I’ve learned in terms of research is to print off everything that I’m going to use or even might use.  So often, I’d find something, use it, then feel the need six months later to recheck the fact. I’d be back revisiting sources—spending twice the time on research. Now, I make a copy of everything and put it in a three-ring binder under a proper heading. That single practice has saved me hours.     

To order your copy of Farthest House, click here!  To hear the first two chapters read aloud, click here!

In addition to congratulating Margaret on the release of her first novel, 13th Floor Magazine would also like to extend our thanks for her continued support and sponsorship.  It is greatly appreciated and we could not be more excited to share in her wonderful accomplishment!

On Campus: Margaret Lukas to Release New Book

9781608080809-COVER-187x300Writer’s Workshop instructor Margaret Lukas is set to release her new book, Farthest House with WriteLife LLC on January 14th, 2014.

Farthest House, with its rich threads of mysticism, explores jealous, betrayal, and ultimately the healing power of self-forgiveness. When Willow is born and her mother dies moments later, only the narrator of this spellbinding, debut novel knows the death isn’t from complications of childbirth. Amelie-Anais, who lived in France and is now buried on the Nebraska hilltop where the family home resides, tells this story of deceit and survival from beyond the grave. Following Willow’s life and Willow’s incredible passion to paint despite loneliness, a physical handicap, and being raised by a father plagued with secrets, Amelie-Anais weaves together the lives of four generations.

“Margaret Lukas has written a page-turner of a novel. Farthest House, boldly narrated by an unsettled spirit, is part-ghost story and a full-out love story of a family coming to terms with its mysterious past, much of it lived in an ancestral home set within a gorgeously rendered Nebraska landscape. Above all, Farthest House is the story of Willow, a bewildered little girl who grows into a passionate painter. I can’t remember the last time I rooted so enthusiastically for a heroine.” – Anna Monardo, author of Falling in Love with Natassia, and The Courtyard of Dreams

Farthest House is $17.00, and available for pre-order from

Listen to Chapter 1 and 2 of Farthest House at